Hey Kids! Comics!

    I grew up with comics. From the time I was about three or four I was exposed to the graphical storytelling art form. It all started off with my older sister’s DC Comics collection. She had several comics but I remember her Superman and Justice League comics especially (I think she also had some Wonder Woman issues too).
    It was too long ago and I don’t remember any specifics of the comics but I know Superman and Jimmy Olson had some adventures together. I also remember the various Green Lanterns and Flashes from the old Crisis crossovers.
    Next up was Green Lantern. I had a few issues of that at a point where Hal Jordan quit the Green Lantern Corp for a bit and John Stewart took his place (and also quickly revealed his secret identity to the world). Around the same time, I also had a few issues of ROM: Space Knight. I remember an issue of ROM where he was changed back into a human and also his girlfriend took over his partner knight’s (Starshine) body.
    I also had a few scant issues of the old Marvel Star Wars comic. It was okay but even as a kid I felt it sometimes strayed too much from what made the movies so great.




    I got more heavily into comics with G.I.JOE: A Real American Hero. I loved the toys at the time and started buying the comic at issue #50. I enjoyed the stories as well as the art. Shortly after, I also started buying Transformers as well (also toys I collected at the time). G.I.JOE was a gateway drug that got me heavier into other comics such as Captain America (during Mark Gruenwald’s long run) as well as X-Factor (Simonson run) then later comics such as the Avengers, X-Men and several others.
    I also got into Batman for a while around the time Tim Burton’s movie came out (I actually preferred the comics interpretation more). At some point I took a long break then came back years later, picking up with Batman again and a few others.
    Eventually, all the gimmicks got on my nerves and I slowly dropped away from comics entirely. I’ve gone back every so often time and again over the years but it seems like newer comics just don’t have that same spark the older ones did.
    I like old school comics best. One and done stories. Or ones that are multi-part stories that actually entertain you with a good story. Too many modern ones do nothing to entertain you or change anything. I read a six issue Justice League origin (new 52 one) where barely anything happened! For $5 an issue I expect better.
    There’s also too many events and other dumb gimmicks (remember the foil and holo covers of the 1990s? Or the trading cards?) Just tell me a good story! Why is that so hard now? Are the writers incompetent or do the companies not permit them to do so, focusing instead on immediate cash grabs instead? Either way, it’s just not the same.
    The lack of quality in the comics from the Big Two are a part of why I think the MCU movies are so popular. They’re generally more concise. One and done (while being part of a bigger story arc with the Infinity Stones. But that doesn’t usually overwhelm the individual movies). Sadly, as time goes on, I think the big over-arcing stories might eventually ruin the MCU and DCEU as well. It’s inevitable somebody somewhere will think they’re a storytelling genius and attempt some ill-advised mega story that loses the audience in the process.
    Anyway, just give me a good story and I’ll be happy.

DKA

Continuity is Everything/Nothing.

    Once upon a time there was the DC Universe...
    And it was good.
    But after decades of history it became harder and harder for the writers to reconcile the facts that characters like Superman and Batman had been created in the late thirties and were still young and vibrant in the seventies. Additionally, some characters had more then one version–there was two different Green Lanterns and Flashes with different personalities and origins.
    In order to keep using everyone, they hit upon the idea of using parallel worlds. The modern heroes lived on Earth-1 while the older versions, such as Jay Garrick and Alan Scott lived on another world that was similar to our own called Earth-2.
    That sufficed for a time. And as the comics continued, gradually other worlds were introduced–Earth-3, where everyone was evil instead of good. Earth-S, Earth-X, Earth-Prime and so on. After a while, it got confusing to keep it all straight.
    The solution? Destroy everything and reboot the DC canon as one singular Universe with one definitive version of each hero, villain, etc.
    And so, in 1985, Marv Wolfman set about to do just that with the maxi-series, Crisis on Infinite Earths. After twelve issues, everything was rebooted and the stage was set. But, due to publishing schedules and lack of coordination among the writers and editors, every comic did not immediately reboot at issue #1 and start anew.
    This eventually caused problems. Some characters (Psycho Pirate, Animal Man) could remember the original continuity while most couldn’t. Some characters origins were botched up while other errors slipped in–like Superboy’s contribution to the Legion of Super Heroes (despite not supposed to having existed in the new continuity). Over time, the errors piled up and fans got annoyed.
    This called for a fix. Enter 1994's Zero Hour: Crisis in Time. This new event would fix everything! Except it didn’t. Later on, we had Hyper Time (parallel realities/timelines), Infinite Crisis and also Final Crisis.
    At one point, Dan Didio, the DC Co-Publisher explained that his company was going to stop fixating on continuity and just try to tell good stories. An excellent choice. Indeed, some characters have had multiple origin stories since the original Crisis. Superman has had several as has Batman.
    Continuity is important in storytelling. In fact, it’s essential. Completely ignoring it leads to utter chaos. And yet, sometimes it does get overemphasized. In DC Comics case, there were too many cooks in the kitchen. They needed to pick an origin story after the original Crisis and just get on with it.
    If they’d done as Marv Wolfman intended and done a coordinated reboot of everything all at once the following mess could’ve been easily avoided. Alas, that was not the case and readers had to suffer the consequences for decades afterward.     
    Ultimately, it’s the stories that matter not the minutia. Yes, Superman is an alien orphan from another world. So what? Where do you go with that? What will Bruce Wayne do once he dons that Bat costume? What will Barry Allen or Diana of Themyscira do when faced with wielding incredible power?
    People complain about the storytelling in comics today–and with good reason. We want tales of heroism and villainy. Of sacrifice. Of loss. Of triumph. Nobody ultimately cares how you get there or which Green Lantern you use as long as they get that emotional and intellectual fix.

    Perhaps dropping the monthly comic issue scheme all together and focusing exclusively on telling stand-alone stories would ultimately work better. Yes, the monthly floppies are a long-standing tradition but maybe it's time to move to a new model in the interests of telling better stories?
    Forget about continuity fixing events. Forget about mega-crossovers that ultimately make no difference. Stop searching for schemes to sell us monthly comics and increase your short term profits. Just tell us a good story and we’ll be there...

DKA

Steel and Sugar

            There are three characters in DC Comics who are considered the seminal ones over all others. One is Superman, one is Batman and the other, Wonder Woman. Together, they are often referred to as “The Trinity”. Batman is hands down the most popular of the trio. Superman is a close second and then Wonder Woman is somewhere in third place.

            Of course taking these three characters above all the others in the DCU and casting off the rest is an insult to gems such as Green Lantern, Flash, Aquaman, Hawkman and so on. While some are difficult to keep up a regular series (Hawkman comes to mind) it implies an undeserved second tier status.
            Batman’s popularity is obvious. He’s just a man with a burning vendetta–he seeks justice above else and will do anything to see it done. Superman is a being of great powers who dedicates himself to protect the lesser human among whom he dwells. He is a source of inspiration by his very existence, a reminder mankind can rise to bigger and better things.
            And then there’s Wonder Woman.
            What exactly the most popular female character at DC stands for exactly has always been a subject of debate. The great champion of the Amazons from the isle of Themyscira, the answer should be obvious. Princess Diana is a role model to women everywhere, a character who demonstrates aptly that a woman can stand to any challenge a man can and meet it head on.
            Yet, the creator of Wonder Woman (William Moulton Marston) often depicted the character in those early years, subdued by her own Lasso of Truth, strapped helplessly to a phallic image, such as a surging missile as it rocketed through the skies. Early Justice Society stories also portrayed her in the role of the Society’s secretary. But that was then, right?
            Wonder Woman enjoyed a run of popularity in the 1970s as her TV show aired and brought her national attention. Even though the show only lasted two seasons, feminists immediately embraced the character as an icon of strength and female independence.
            Wonder Woman has been portrayed as a strong woman, with great strength, ferocity, beauty, grace and compassion. But she’s also been contradictorily made into everybody’s girlfriend at the same time. The Justice League cartoons had her with an interest in Batman and stories such as Kingdom Come and the more recent New 52 stories have had her as Superman’s lover.
            Batman is Batman, first and foremost. He’s not defined by his relationship to Catwoman, Talia Al’Ghul or whoever. He is Batman. And sometimes he has a love interest. Contrast this against Wonder Woman, who has to be Superman’s girlfriend first and a character second. This is not to say she can’t have a love interest but why must it seem to be such an integral point to making her character interesting to modern readers? There’s now a Superman/Wonder Woman comic series–but no one make such accommodations for Batman/Catwoman, for example. Why was Wonder Woman okay as a character on her own when George Perez reinvented her in the 80s or John Byrne wrote her comic later--but not now?
            Sadly, the answer would seem obvious. The current crop of comic writers is bereft of good ideas. Someone doubtlessly put as much thought into the matter as “hey! Superman’s really strong and Wonder Woman’s really strong too. We should make them boyfriend/girlfriend! That would be so cool!”

            Female characters can be interesting on their own without being someone’s damsel in distress or an accessory for accessory’s sake. Look at Batgirl (any iteration), the Huntress, Ms. Marvel, Spider Woman, She Hulk... it’s all in the writing. Someone with half a brain and a granule of talent is able to carve personality and drama out of a female character. It’s the lazy hacks with very little understanding of what makes a character interesting who manage to fail time and again, resorting to making the girl a trophy for the boy character. It’s the same mentality that automatically equates “gritty” with “dramatic”.
            Given the large number of female comic readers and geeks out there one would assume the comic companies would try a bit harder to pander to them, making consistently interesting female characters, regardless of the characters various slant on the world (villain, hero, saint, sinner, etc).
            Let’s be honest too–a strong, intelligent female character is just as appealing to a male reader as to a female one. It’s their journey ultimately not their gender that is interesting. (Likewise, if the female character is weak willed and vacuous they can still be made interesting–in the right hands).
            It seems DC Editorial should take a good long hard look at itself and realize the terrible mistake it’s making by allowing Wonder Woman to be shuffled off to be somebody’s girlfriend instead of allowing her to stand on her own. It seems like they don’t understand what to do with her when given her popularity, she should be a marquee character with several books out–like Batman and Superman. Also, get a movie or TV script that works and get it out there! Why waste such a great marketing opportunity for the character.
            After all, if DC won’t take the character seriously why should anyone else?

DKA